
Jenny Yujia Shi
施雨迦
Biography
Jenny Yujia Shi 施雨迦 is a Chinese Canadian visual artist based in Kjipuktuk. Growing up in a historic neighbourhood in the heart of Beijing, Shi was immersed in intergenerational teachings, childhood mischief, and folklore of ghosts and spirits until an urban renewal project flattened their neighbourhood, displacing local residents and connections.
In 2009, Shi began a fourteen-year immigration process transitioning from an international student to Canadian citizenship. From the moment Shi passed through the Canada Border Services Agency (CBSA) processing center at Toronto Pearson Airport, their lived experience became subject to various conditions, permissions, and restrictions. These parameters regulated Shi’s movements and activities within the country, shaping the opportunities they could access to establish a livelihood.
Channeling a state of being: ungrounded and unable to land, Shi explores themes of displacement, dispossession and diasporic longing through mixed media drawing, site-responsive installation, community-based research and handmade animation. Most recently, Shi has begun revisiting their personal immigration archive and childhood folklore to examine place, memory and agency in the context of border crossing and migration.
Shi's work has received support from the Canada Council for the Arts, Arts Nova Scotia, the National Film Board of Canada, and the Social Sciences and Humanities Research Council (SSHRC). Recent exhibition highlights include solo exhibition at The Rooms (NL) and group exhibition at the Confederation Centre Art Gallery (PE). Recent screening highlights include CBC Gem, the GIRAF Festival of Independent Animation and the Atlantic International Film Festival. Their work is included in collections of the Nova Scotia Art Bank, the Art Gallery of Nova Scotia, and the RBC Royal Bank.
Works Available
Installation view: Jenny Yujia Shi, Hopefully, I'll remember, December 02, 2022 — February 04, 2023.
Jenny Yujia Shi, Portraits of Those in Limbo (Paper Figures), 2022. Acrylic and ink on xuan paper. Dimensions variable.
Jenny Yujia Shi, Portraits of Those in Limbo (Paper Figures), 2022. Acrylic and ink on xuan paper. Dimensions variable.
Jenny Yujia Shi, Portraits of Those in Limbo (Paper Figures), 2022. Acrylic and ink on xuan paper. Dimensions variable.
Jenny Yujia Shi, Untitled (Monoprints), 2015. Monoprints (litho, etching, relief, silkscreen, chine-colle) on cotton rag paper. Editions of 1. Signed verso. 22 x 33 inches each
Installation view: Jenny Yujia Shi at Plural 2024.
Jenny Yujia Shi, Evergourd, 2023 (four figures). Mixed media papercut between plexi with hardware. 38 x 20 x 0.6 cm
Jenny Yujia Shi, Morning Regiment, 2023 (small fire). Mixed media papercut between plexi with hardware. 15.5 x 20.5 x 0.6 cm
Jenny Yujia Shi, Young Pioneers, 2024 (four figures). Mixed media papercut between plexi with hardware. 38 x 20 x 0.6 cm
Jenny Yujia Shi, Evergourd, 2023 (medium figure). Mixed media papercut between plexi with hardware. 11.4 x 36.2 x 0.6 cm
Jenny Yujia Shi, Morning Regiment, 2024 (large fire). Mixed media papercut between plexi with hardware. 31.8 x 35.6 x 0.6 cm
Jenny Yujia Shi, Young Pioneers, 2024 (large fire). Mixed media papercut between plexi with hardware. 31.8 x 35.6 x 0.6 cm
Exhibitions
Press
Ray Cronin, “Review: A Sense of Place.” Vie des arts. June 15, 2022.
Maeve Hanna, “STAYING at The Blue Building Gallery.” Visual Arts News. Summer 2022. Print.
Matt Horseman, “Blue Art Group; Matt Horseman Meets Emily Falencki.” EDIT Magazine. Summer 2022. Print.