
Michael Fernandes
Biography
Michael Fernandes is a Trinidad-born artist who came to Canada in the 1960s to study at the Montreal Museum of Fine Arts. His works often rely on polemical constructs like “us and them” to provoke a self-recognition on the part of the viewer. His installations have a sense of improvisation and literalism, which results in an intimacy and directness and opposes the packaged, the streamlined and the simulated. One could say—at least metaphorically—that his work is in the first person, present tense, and that it stands against facade and spectacle in favour of activism.
At NSCAD, where he has taught since 1973, Michael is known for the subtlety of his pedagogical methods. He has exhibited extensively across Canada and abroad. In 2020 Fernandes was the recipient of the Governor General’s Award in Visual and Media Arts.
Works Available
Installation view of Michael Fernandes, I Turn Babies: a dialogue with painting. November 30, 2024 – February 15, 2025.
Installation view of Michael Fernandes, I Turn Babies: a dialogue with painting. November 30, 2024 – February 15, 2025.
Michael Fernandes, Azure Tide, 2024. House paint on assorted prefabricated gessoed canvases.
Michael Fernandes, Chinese Red, 2024. House paint on assorted prefabricated gessoed canvases.
Michael Fernandes, Series Blanks 8 in x10 in / 20.3 cm x 25.4 cm, 9 in x 21 in / 22.8 cm x 30.4 cm, 12 in x12 in / 30.4 cm x 30.4 cm, 12 in x 16 in / 30.4 cm x 40.6 cm, 18 in x 24 in / 45.7 cm x 60.9 cm, 20 in x 24 in / 50.8 cm x 60.9 cm, 15 in x 30 in / 38.1 cm x 76.2 cm, 21 in x 36 in / 30.4 cm x 91.4 cm, 16 in x 40 in / 40.6 cm x 101.6 cm, 2024. Installation: assorted prefabricated gessoed canvases.
Michael Fernandes, Series Blanks 8 in x10 in / 20.3 cm x 25.4 cm, 9 in x 21 in / 22.8 cm x 30.4 cm, 12 in x12 in / 30.4 cm x 30.4 cm, 12 in x 16 in / 30.4 cm x 40.6 cm, 18 in x 24 in / 45.7 cm x 60.9 cm, 20 in x 24 in / 50.8 cm x 60.9 cm, 15 in x 30 in / 38.1 cm x 76.2 cm, 21 in x 36 in / 30.4 cm x 91.4 cm, 16 in x 40 in / 40.6 cm x 101.6 cm, 2024. Installation: assorted prefabricated gessoed canvases.
Installation view of Michael Fernandes, I Turn Babies: a dialogue with painting. November 30, 2024 – February 15, 2025. Foreground: Shroud, 2024. Plastic and duct tape.
Michael Fernandes, bed, 2024. Installation: various materials, where the artist slept while installing their exhibition.
Detail of Michael Fernandes, The Wonder'neath Series add to me, 2024. Series of collaborative paintings made at Wonder'neath Open Studio on folding tables.
Detail of Michael Fernandes, The Wonder'neath Series add to me, 2024. Series of collaborative paintings made at Wonder'neath Open Studio on folding tables.
Detail of Michael Fernandes, The Wonder'neath Series add to me, 2024. Series of collaborative paintings made at Wonder'neath Open Studio on folding tables.
Detail of Michael Fernandes, The Wonder'neath Series add to me, 2024. Series of collaborative paintings made at Wonder'neath Open Studio on folding tables.
Detail of Michael Fernandes, The Wonder'neath Series add to me, 2024. Series of collaborative paintings made at Wonder'neath Open Studio on folding tables.
Detail of Michael Fernandes, The Wonder'neath Series add to me, 2024. Series of collaborative paintings made at Wonder'neath Open Studio on folding tables.
Michael Fernandes, Don't let the old man in. 2021. Digital photo print on vinyl mounted on aluminum. 45 x 30 inches.
Michael Fernandes, My Vancouver. 2021. Digital photo print on vinyl mounted on aluminum. 45 x 30 inches.
Michael Fernandes, THIS ONE. 2021. Digital photo print on vinyl mounted on aluminum. 45 x 30 inches.
Michael Fernandes, The most caring most creative human ever lived Lives. 2021. Digital photo print on vinyl mounted on aluminum. 45 x 30 inches.
Michael Fernandes, The World's smallest potato. 2021. Digital photo print on vinyl mounted on aluminum. Approx. 40 x 30 inches.
Exhibitions
Press
Ray Cronin, “Review: A Sense of Place.” Vie des arts. June 15, 2022.
Maeve Hanna, “STAYING at The Blue Building Gallery.” Visual Arts News. Summer 2022. Print.
Matt Horseman, “Blue Art Group; Matt Horseman Meets Emily Falencki.” EDIT Magazine. Summer 2022. Print.